![]() ![]() As a narrative, it’s a slog.Īdam Ellsworth is a writer, journalist, and amateur professional rock and roll historian. Perhaps as a traditional (or even nontraditional) reference book, it would have worked. The book is brimming with facts, but none of the data is presented in a way that’s easily digestible, or that sheds any real light on the Beatles or their films. In the end, Act Naturally is a missed opportunity. ![]() Instead, it’s all just more information for information’s sake. Kitchen sink films, along with the rest of the British movie history included in the book, should serve as a nurturing context for analysis. But that idea is never floated in Act Naturally. It doesn’t take a great leap to propose that the introduction of such movies into British culture helped open the door that four Scousers from Liverpool ran through a few short years later. As noted, these pictures, like 1959’s Look Back in Anger, featured working-class protagonists, accents intact, with stories focused on the reality of their everyday lives. The Beatles being prepared for for their close-ups. They don’t provide any meaningful insight, or broaden our understanding of the Beatles and what they accomplished. It’s greatest sin, though, is not that it has too many facts, or that those facts are presented in too dry a manner, but that so many of these nuggets don’t lead anywhere interesting. Needless to say, Act Naturally can be a tough read. It’s taxing to read paragraph after paragraph of factoids like “Assistant director John Merriman worked in the same capacity on It’s Trad, Dad! and served as production manager on Zulu and the original screen version of Casino Royale (1967).” Why not give the reader as much info as possible about the unsung heroes who created these beloved movies? The problem, again, is in the presentation. For each of the Beatles’ films, Act Naturally presents a full accounting of the movie’s crew and what these individuals did in their careers before and after their work on A Hard Day’s Night, Help!, Magical Mystery Tour, Yellow Submarine, or Let It Be. Only slightly better than the passages that read like Amazon product descriptions are the ones resembling an IMDb entry. Everything is housed in a 10-inch box and includes a 60-page book. The DVD is presented in Dolby Digital Stereo, DTS 5.1, and Dolby Digital 5.1. The Blu-ray is presented in DTS-HD master Audio 5.1, Dolby Digital 5.1, and PCM Stereo. As the book exists now, all information is shoehorned into narrative form, leading to unnecessary paragraphs like the following deep dive into the technical specs of the 2012 Magical Mystery Tour box set: There could be sidebars and subsections dedicated to relevant film, cultural, and musical history. Each film could have its own section, with an introductory essay followed by bulleted lists of facts and figures along with cast and crew bios. Perhaps if Act Naturally were conceived and executed as a pure reference book, it would hold up better. Even when the book directly focuses on the Beatles’ films, Matteo seems far more concerned with providing minutiae than with writing a readable story. Unfortunately, the factoids and bits of trivia provided in Act Naturally rarely tie back to any larger narrative, or serve any discernible purpose other than to be catalogued. After all, the Beatles didn’t make their movies or their music in a vacuum, and they took as much from the culture around them as they put in. That Matteo casts such a wide net makes sense. Anything anyone would want to know about the Fab Four and their five movies is included in the work, as are pages and pages on the evolution of British film, youth culture, and English-language rock music in the ’60s. In short, kitchen sink films were the films that didn’t leave anything out.Īct Naturally could be considered a kitchen sink book. Backbeat Books, 350 pagesĮarly in Steve Matteo’s Act Naturally: The Beatles on Film, the author describes the British motion picture genre known as “kitchen sink films.” These were the flicks that debuted in the late 1950s and focused on the nation’s working class, accents and all, with stories centered on poverty, manual labor, broken marriages, homosexuality, abortion, race, gender, and Britain’s declining role in the world. The problem is that the factoids and bits of trivia supplied by Act Naturally rarely tie back to any larger narrative, or serve any discernible purpose other than to be catalogued.Īct Naturally: The Beatles on Film by Steve Matteo.
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